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The Projection Booth ·Oct 7, 2026 ·53 min

Special Report: Bella Gonzales on Ted Lasso 4

Evaluation and Summary

7.6/10

The Projection Booth hosts cinematographer Bella Gonzales for a deep dive into shooting Ted Lasso's season 4 premiere, which marks the show's first return to Kansas. Gonzales, brought on as the series' first American DP by director Declan Lowney, discusses the visual strategy for distinguishing Kansas from the established English aesthetic without resorting to clichéd "American" cinematography. She explains the specific technical choices—dusky lighting, a three-filter stack, and a deliberate Wizard of Oz visual reference when characters disembark the plane—that ground the Kansas sequences in a distinct visual language. The conversation covers Gonzales' career trajectory, including her work on Fargo seasons 4 and 5 and Alien: Earth, where she collaborated with DPs Colin Watkinson and Dave Franco. She details the Ted Lasso prep process: comprehensive shot lists, overhead planning, and collaborative photo boards developed with director Lowney and series DPs David Rom and Vanessa Whyte. Gonzales discusses her blocking approach, highlighting the deceptively simple staging of Nate's Backyard Barbecue scene as a case study in visual storytelling. She also reflects on her father's influence as a longtime film crew member and teases upcoming Apple TV+ projects. The episode is structured as a technical masterclass in how a cinematographer approaches a major visual shift within an established series, balancing continuity with fresh perspective.

Verdict: A substantive, insider-access interview with genuine technical depth that will richly reward cinematography enthusiasts and Ted Lasso fans interested in craft, though its specialized focus and technical nature limit broader appeal.

TV & Film rubric

  • Critical insight 4/5 20%

    Gonzales provides substantive analysis of visual choices (filter stacks, lighting philosophy, blocking decisions) rather than surface-level praise, with specific examples like the Wizard of Oz reference and Nate's barbecue staging.

  • Behind-the-scenes knowledge 5/5 20%

    Direct interview with the cinematographer herself discussing prep processes, collaboration with showrunner and directors, shot lists, photo boards, and technical specifications—genuine insider access to production decisions.

  • Entertainment 3/5 15%

    Technical cinematography discussion has inherent interest for film enthusiasts but may lack the narrative drive or personality-driven banter that makes some podcast interviews highly engaging; substance-focused rather than lively.

  • Substance 4/5 15%

    Dense with specific technical information, career context, and production methodology; minimal filler evident from show notes, though actual episode pacing cannot be fully assessed from description alone.

  • Delivers on its title 5/5 15%

    Title promises a special report on Bella Gonzales discussing Ted Lasso 4; episode delivers exactly that with detailed focus on the season 4 premiere's cinematography and production approach.

  • Value for time 3/5 15%

    53 minutes is reasonable for a technical deep-dive interview, though without hearing the actual pacing, some stretches are likely given the specialized nature of the subject matter.

How we score TV & Film

Worth it if you care about cinematography, production design, or want to understand how visual storytelling shapes a TV series.

Based on the episode description. AI-generated; it can be wrong.

Show notes

Cinematographer Bella Gonzales talks with Mike White about shooting the season 4 premiere of Ted Lasso, the episode that sends Ted back to Kansas for the first time since the show began. Gonzales, brought on by director Declan Lowney as the show's first American DP, explains how she and showrunner Jason Sudeikis worked to make the Kansas scenes feel distinct from the series' established English look without resorting to an overtly "American" filter — dusky light, a three-filter stack, and a deliberate Wizard of Oz reference when the characters first step off the plane. Gonzales traces her path to the show through her years on Fargo (seasons 4 and 5) and Alien: Earth, where she worked alongside DPs Colin Watkinson and Dave Franco, and talks about the prep process behind Ted Lasso — full shot lists, overheads, and photo boards built with Lowney and longtime series DP David Rom and Vanessa Whyte. She also gets into her approach to blocking (including the deceptively simple staging of Nate's Backyard Barbecue), the influence of her father's decades on film crews, and what she's working on next for Apple TV+. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support . Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth

Episode page

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