Fiction · Arts · Drama
by Be Afraid
From creator Jon Grilz, a collection of the most famous and disturbing creepypastas and urban legends in the world. Listener discretion is advised. Story requests can be made on Instagram @creepypod or via email at info@creepypod.com Hosted on Acast. See acast.com/privacy for more information.
Creepy Day 9 is a 32-minute horror fiction podcast episode featuring two short stories written by D.H. Parish and narrated by Owen McCuen. The episode opens with "Witch's Lake" at the 2:02 mark, a story that appears to involve supernatural or eerie elements centered around a lake location with witch-related themes.…
Worth it if you enjoy short-form horror fiction anthologies and trust the Creepy podcast's track record for atmospheric storytelling.
Creepy's Day 8 episode presents two short horror fiction pieces. 'Spring Creek,' written by Cyndi Gradel and narrated by Megan McDuffee, opens the episode at 1:40 and involves a story with a child death content warning—suggesting a dark narrative centered on loss or tragedy in a rural setting. 'The Scarecrow of Black…
Worth it if you enjoy short-form horror fiction and trust the Creepy podcast's track record for quality narration and atmospheric storytelling.
This episode of Creepy presents two horror stories back-to-back. The first story, "Five-String Guitar" (1:28–26:02), is a creepypasta written by JrvUnleashed and available under Creative Commons licensing. The second story, "Supermarket Swamp Monster" (26:02–end), was written by Robert Lemons and narrated by Cole…
Worth it if you enjoy straightforward creepypasta narration and don't require host commentary, thematic framing, or production flourishes.
Day 6 of the Creepy podcast presents two short horror fiction pieces. 'Earworm,' written by No One of Consequence and narrated by Nate DuFort, begins at the 1:18 mark and presumably explores a horror concept related to an earworm—either a catchy song that won't leave your head or a parasitic creature. The second…
Worth it if you enjoy short horror fiction and trust the Creepy podcast's track record, but the vague show notes offer little reason to prioritize this episode.
Day 5 of the Creepy podcast presents two horror stories written by Greg Patrick and narrated by Jimmy Ferrer. 'The Chimney Goes Down' begins at the 3:36 mark, while 'The Shattered Funhouse Mirror' starts at 25:55, suggesting roughly equal time allocation between the two narratives across the 71-minute runtime. The…
Worth it if you're already invested in the Creepy podcast's serialized format and enjoy short horror fiction with professional narration.
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This is Day 4 of the "Creepy" podcast anthology series, featuring two short horror stories. The first story, "We Meet Again," is written by Toni Nicolino and narrated by Danielle Hewitt. It runs from 1:23 to 11:32 (approximately 10 minutes) and carries a content warning for child death, suggesting it deals with dark…
Worth it if you're already a fan of the Creepy anthology series or enjoy short horror fiction with atmospheric narration, but the lack of plot details makes it hard to recommend to newcomers.
Day 3 of the Creepy podcast presents two short horror stories. 'The Last Pumpkin on Briar Row,' written by Yanina Litt and beginning at 1:27, appears to be a seasonal horror tale centered on a pumpkin with potentially sinister implications. The second story, 'Something Special for Halloween,' written by D.H. Parish…
Worth it if you enjoy bite-sized horror stories with seasonal themes and don't mind content involving suicide.
Creepy's Day 2 episode presents two short horror fiction pieces in a 32-minute runtime. 'Bring Up Your Dead,' written by Deirdre Coles and narrated by Nichole Goodnight, begins at the 4:52 mark and occupies roughly the first 15 minutes of content. The second story, 'Anatomically Correct Pumpkin,' starts at 20:14 and…
Worth it if you enjoy bite-sized horror fiction and trust the Creepy podcast's track record, but newcomers should sample with caution given the lack of detailed information.
Creepy's debut episode introduces a serialized horror narrative with two distinct segments. 'Town History' (beginning at 4:55) establishes the setting and backstory of an unnamed town, presumably laying groundwork for the larger mystery to unfold. 'Failed Veins' (starting at 18:25) shifts into what appears to be a…
Worth it if you enjoy serialized horror fiction with atmospheric world-building and don't mind dark content involving kidnapping and experimentation.
This episode of Creepy presents three separate horror fiction stories. "The Version That Stayed," written by JQ Leonard and narrated by Jimmy Ferrer, appears to be the lead story, though the show notes provide no plot details. "The Cries of Long Dead Beasts," written by Juan Cardenas and narrated by Alicia Atkins, is…
Worth it if you're a regular Creepy podcast listener already familiar with the show's style and quality standards.
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This episode of Creepy presents two short horror fiction stories. The first, "Mail for Apartment 0," written by Z.H. and narrated by Cole Burkhardt, appears to involve mysterious or unsettling mail arriving at a non-existent apartment number, suggesting themes of the uncanny or supernatural. The second story,…
Worth it if you're a regular Creepy listener who enjoys short horror fiction with professional narration, but newcomers should sample another episode with better show notes first.
This episode of 'Creepy' is titled 'trick' and runs for just 1 minute. The show notes provide no substantive information about the episode's content, topics, guests, or narrative arc—only a standard Acast privacy notice. Without access to the actual episode audio or a meaningful description, it is impossible to…
Worth it if you're a completionist collecting every 'Creepy' release, but not for anyone seeking actual content.
This episode of Creepy presents three separate horror fiction stories. 'Lights Out' by Ridge Joliff opens the episode with a story involving animal euthanasia. 'Crush,' written by Jimmy Ferrer and narrated by Megan McDuffee, explores darker themes including domestic abuse and suicide. The episode closes with 'Cadavr…
Worth it if you enjoy horror anthologies and trust the Creepy brand's track record, but approach cautiously given the heavy subject matter and lack of detailed information about execution.
This episode of 'Creepy' is titled 'rideshare' and runs for only 1 minute. The show notes provide no description of the episode's content, plot, guests, or themes beyond the title itself. With such minimal information and an extremely short runtime, it is impossible to determine what story or topic the episode…
Worth it if you enjoy ultra-short horror snippets and don't mind gambling on an episode with zero preview information.
This episode of Creepy presents two short horror fiction stories. 'The House on Edgemont,' written by D.H. Parish and narrated by Owen McCuen, appears to be a supernatural tale centered on a mysterious house, with a content warning for child death suggesting dark subject matter. 'Hallow Birth,' written by Marisól De…
Worth it if you enjoy short-form horror fiction with professional narration and don't mind dark themes including child death.
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This episode of Creepy presents three horror fiction stories. The lead story, "Mr. Morris Digs a Hole," written by Jules Rowlen and narrated by Nate DuFort, is a sequel to a previous episode called "Hell Hounds." The story involves disturbing content including abuse, suicide, and animal cruelty. The second story, "Old…
Worth it if you enjoy horror fiction anthologies and are specifically seeking dark, disturbing narratives with mature themes.
This episode of Creepy presents two short horror stories. 'Aunt Claire,' written by Angela Sawyer and narrated by Alicia Atkins, is the first segment. 'Remember,' written by Jay Huver and narrated by Jimmy Ferrer, follows. The episode runs 35 minutes total, suggesting each story occupies roughly 15-17 minutes. Beyond…
Worth it if you're a regular Creepy listener who trusts the series' track record and enjoy bite-sized horror stories without needing advance plot details.
